āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄ & āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐ | āļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāđƒāļŦāļĄāđˆ āļŠāļļāļ āļēāļž āđ„āļ”āđ‰āđƒāļŠāđ‰āļ•āđˆāļ­āļˆāļĢāļīāļ‡

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āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄ & āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐ | āļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāđƒāļŦāļĄāđˆ āļŠāļļāļ āļēāļž āđ„āļ”āđ‰āđƒāļŠāđ‰āļ•āđˆāļ­āļˆāļĢāļīāļ‡

2025-12-18 11:46:22

#āļžāļ§āļ‡āļŦāļĢāļĩāļ”
#āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ”āļĩāđ„āļ‹āļ™āđŒāđƒāļŦāļĄāđˆ
#āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ”āļ­āļāđ„āļĄāđ‰āļŠāļ”
#āļžāļ§āļ‡āļŦāļĢāļĩāļ”āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļŸāļ­āļāļ­āļēāļāļēāļĻ
#āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ‚āļ­āļ‡āđƒāļŠāđ‰
#āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄ
#āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ•āļđāđ‰
#āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāļ”āļ­āļāđ„āļĄāđ‰āļŠāļ”
#āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ•āļđāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™āļ•āđˆāļ­āđ„āļ”āđ‰
#āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ‚āļ­āļ‡āđƒāļŠāđ‰āļžāļĢāļ°

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄ & āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐ | āļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāđƒāļŦāļĄāđˆ āļŠāļļāļ āļēāļž āđ„āļ”āđ‰āđƒāļŠāđ‰āļ•āđˆāļ­āļˆāļĢāļīāļ‡

āđ€āļˆāļēāļ°āļĨāļķāļāđ€āļŦāļ•āļļāļœāļĨāļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄ (Fan Wreath)

āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāļ­āļąāļ™āļ”āļąāļšāļŦāļ™āļķāđˆāļ‡ āđāļ—āļ™āļ—āļĩāđˆāļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ”āļ­āļāđ„āļĄāđ‰āļŠāļ”āđāļšāļšāđ€āļ”āļīāļĄ
āļ”āđ‰āļ§āļĒāļ„āļļāļ“āļ„āđˆāļēāļ—āļĩāđˆāļĄāļ­āļšāđƒāļŦāđ‰āļ—āļąāđ‰āļ‡āļœāļđāđ‰āļĨāđˆāļ§āļ‡āļĨāļąāļš āļœāļđāđ‰āļĄāļēāļĢāđˆāļ§āļĄāļ‡āļēāļ™ āđāļĨāļ°āļŠāļąāļ‡āļ„āļĄāđ‚āļ”āļĒāļĢāļ§āļĄ


 āđ€āļĄāļ·āđˆāļ­āļāļēāļĢāđ„āļ§āđ‰āļ­āļēāļĨāļąāļĒāđ„āļĄāđˆāđ„āļ”āđ‰āļˆāļšāđāļ„āđˆ “āļžāļīāļ˜āļĩ” āđāļ•āđˆāļ•āđ‰āļ­āļ‡āļĄāļĩ “āļ„āļļāļ“āļ„āđˆāļē”

āļžāļīāļ˜āļĩāļĻāļžāļ„āļ·āļ­āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ—āļĩāđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāđ€āļĻāļĢāđ‰āļē āļ„āļ§āļēāļĄāļ­āļēāļĨāļąāļĒ āđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ„āļēāļĢāļž
“āļžāļ§āļ‡āļŦāļĢāļĩāļ”” āļˆāļķāļ‡āđ„āļĄāđˆāđƒāļŠāđˆāđ€āļžāļĩāļĒāļ‡āļ‚āļ­āļ‡āļ›āļĢāļ°āļ”āļąāļšāļžāļīāļ˜āļĩ āđāļ•āđˆāđ€āļ›āđ‡āļ™ āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāāļ—āļĩāđˆāļœāļđāđ‰āļĄāļ­āļšāļ•āđ‰āļ­āļ‡āļāļēāļĢāļŠāđˆāļ‡āļ–āļķāļ‡āļœāļđāđ‰āļĨāđˆāļ§āļ‡āļĨāļąāļšāđāļĨāļ°āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§

āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄ āđƒāļ™āļŠāđˆāļ§āļ‡āļŦāļĨāļēāļĒāļ›āļĩāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē āļŠāļąāļ‡āļ„āļĄāđ€āļĢāļīāđˆāļĄāļ•āļąāđ‰āļ‡āļ„āļģāļ–āļēāļĄāļĄāļēāļāļ‚āļķāđ‰āļ™āļ§āđˆāļē

  • āļāļēāļĢāđƒāļŠāđ‰āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ”āļ­āļāđ„āļĄāđ‰āļŠāļ”āļˆāļģāļ™āļ§āļ™āļĄāļēāļāļĒāļąāļ‡āđ€āļŦāļĄāļēāļ°āļŠāļĄāļŦāļĢāļ·āļ­āđ„āļĄāđˆ

  • āļ—āļĢāļąāļžāļĒāļēāļāļĢāļ—āļĩāđˆāđƒāļŠāđ‰āđ„āļ›āļˆāļģāļ™āļ§āļ™āļĄāļēāļāļ„āļ§āļĢāļŠāļĢāđ‰āļēāļ‡āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ•āđˆāļ­āđ„āļ›āđ„āļ”āđ‰āļŦāļĢāļ·āļ­āđ„āļĄāđˆ

  • āļāļēāļĢāđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļ­āļēāļĨāļąāļĒāļ„āļ§āļĢāļžāļąāļ’āļ™āļēāđ„āļ›āļžāļĢāđ‰āļ­āļĄāļāļąāļšāļ„āļ§āļēāļĄāļĢāļąāļšāļœāļīāļ”āļŠāļ­āļšāļ•āđˆāļ­āļŠāļąāļ‡āļ„āļĄāļŦāļĢāļ·āļ­āđ„āļĄāđˆ

āļ„āļģāļ–āļēāļĄāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āđ€āļ­āļ‡ āļ„āļ·āļ­āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāļ—āļĩāđˆāđ€āļžāļīāđˆāļĄāļ‚āļķāđ‰āļ™āļ­āļĒāđˆāļēāļ‡āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡āļ‚āļ­āļ‡
āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄ, āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ‚āļ­āļ‡āđƒāļŠāđ‰, āđāļĨāļ° āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļĢāļąāļāļĐāđŒāđ‚āļĨāļ

āļšāļ—āļ„āļ§āļēāļĄāļ™āļĩāđ‰āļˆāļ°āļžāļēāļ„āļļāļ“āļ—āļģāļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāļ­āļĒāđˆāļēāļ‡āļĨāļķāļāļ‹āļķāđ‰āļ‡ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļĢāļēāļāļāļēāļ™āļ—āļēāļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āđāļ™āļ§āļ„āļīāļ”āđ€āļšāļ·āđ‰āļ­āļ‡āļŦāļĨāļąāļ‡ āļ‚āđ‰āļ­āļ”āļĩ āļ‚āđ‰āļ­āļˆāļģāļāļąāļ” āđ„āļ›āļˆāļ™āļ–āļķāļ‡āļ§āļīāļ˜āļĩāđ€āļĨāļ·āļ­āļāļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ—āļĩāđˆ “āđ€āļŦāļĄāļēāļ°āļŠāļĄ āļ–āļđāļāļ•āđ‰āļ­āļ‡ āđāļĨāļ°āļĄāļĩāļ„āļļāļ“āļ„āđˆāļē” āļĄāļēāļāļ—āļĩāđˆāļŠāļļāļ”



āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļĢāļąāļāļĐāđŒāđ‚āļĨāļāļ„āļ·āļ­āļ­āļ°āđ„āļĢ?

āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāđāļĨāļ°āđāļ™āļ§āļ„āļīāļ”āļ‚āļ­āļ‡āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļĢāļąāļāļĐāđŒāđ‚āļĨāļ

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļĢāļąāļāļĐāđŒāđ‚āļĨāļ (Eco-Friendly Paper Wreath)
āļ„āļ·āļ­āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ—āļĩāđˆāļœāļĨāļīāļ•āļˆāļēāļāļ§āļąāļŠāļ”āļļāļāļĢāļ°āļ”āļēāļĐāđ€āļ›āđ‡āļ™āļŦāļĨāļąāļ āđ‚āļ”āļĒāđ€āļ™āđ‰āļ™āļāļēāļĢāđƒāļŠāđ‰

  • āļāļĢāļ°āļ”āļēāļĐāļĢāļĩāđ„āļ‹āđ€āļ„āļīāļĨ 100%

  • āļāļĢāļ°āļ”āļēāļĐāļ„āļĢāļēāļŸāļ•āđŒ

  • āđ€āļĒāļ·āđˆāļ­āļāļĢāļ°āļ”āļēāļĐāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ—āļĩāđˆāļĒāđˆāļ­āļĒāļŠāļĨāļēāļĒāđ„āļ”āđ‰

āđāļ™āļ§āļ„āļīāļ”āļŦāļĨāļąāļāļ„āļ·āļ­

“āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļ­āļēāļĨāļąāļĒāļ­āļĒāđˆāļēāļ‡āđ€āļŦāļĄāļēāļ°āļŠāļĄ āđ‚āļ”āļĒāđ„āļĄāđˆāļŠāļĢāđ‰āļēāļ‡āļ āļēāļĢāļ°āđƒāļŦāđ‰āļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄâ€

āđāļ—āļ™āļ—āļĩāđˆāļˆāļ°āđƒāļŠāđ‰āļ”āļ­āļāđ„āļĄāđ‰āļŠāļ”āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļ—āļīāđ‰āļ‡āļŦāļĨāļąāļ‡āļ‡āļēāļ™āđ„āļĄāđˆāļāļĩāđˆāļ§āļąāļ™ āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļŠāļēāļĄāļēāļĢāļ–

  • āļ™āļģāđ„āļ›āļĢāļĩāđ„āļ‹āđ€āļ„āļīāļĨ

  • āļ™āļģāđ„āļ›āđƒāļŠāđ‰āđƒāļ™āļāļīāļˆāļāļĢāļĢāļĄāļ‚āļ­āļ‡āļ§āļąāļ”

  • āļŦāļĢāļ·āļ­āļĒāđˆāļ­āļĒāļŠāļĨāļēāļĒāļ•āļēāļĄāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī

āļžāļąāļ’āļ™āļēāļāļēāļĢāļ‚āļ­āļ‡āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāđƒāļ™āļŠāļąāļ‡āļ„āļĄāđ„āļ—āļĒ

āđƒāļ™āļĢāļ°āļĒāļ°āđāļĢāļ āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļ­āļēāļˆāļ–āļđāļāļĄāļ­āļ‡āļ§āđˆāļē

  • āļ”āļđāđ„āļĄāđˆāđ€āļ›āđ‡āļ™āļ—āļēāļ‡āļāļēāļĢ

  • āđ„āļĄāđˆāđ€āļŦāļĄāļēāļ°āļāļąāļšāļžāļīāļ˜āļĩāļĻāļžāļœāļđāđ‰āđƒāļŦāļāđˆ

  • āļŦāļĢāļ·āļ­āđ„āļĄāđˆāļŠāļ§āļĒāļ‡āļēāļĄāđ€āļ—āđˆāļēāļ”āļ­āļāđ„āļĄāđ‰āļŠāļ”

āđāļ•āđˆāļ”āđ‰āļ§āļĒāļāļēāļĢāļžāļąāļ’āļ™āļēāđƒāļ™āļ”āđ‰āļēāļ™

  • āļ‡āļēāļ™āļ­āļ­āļāđāļšāļš

  • āļ‡āļēāļ™āļžāļīāļĄāļžāđŒ

  • āļāļēāļĢāļˆāļąāļ”āļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļš

āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļŠāļēāļĄāļēāļĢāļ–āļ­āļ­āļāđāļšāļšāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡

  • āļŠāļļāļ āļēāļž

  • āļžāļĢāļĩāđ€āļĄāļĩāļĒāļĄ

  • āļāļĨāļĄāļāļĨāļ·āļ™āļāļąāļšāļžāļīāļ˜āļĩāļĻāļžāļ—āļļāļāļĢāļ°āļ”āļąāļš

āđāļĨāļ°āđ€āļĢāļīāđˆāļĄāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļĒāļ­āļĄāļĢāļąāļšāļ­āļĒāđˆāļēāļ‡āļāļ§āđ‰āļēāļ‡āļ‚āļ§āļēāļ‡ āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āđƒāļ™āļ‡āļēāļ™āļ‚āļ­āļ‡

  • āļœāļđāđ‰āļšāļĢāļīāļŦāļēāļĢ

  • āļ­āļ‡āļ„āđŒāļāļĢ

  • āļšāļļāļ„āļ„āļĨāļŠāļģāļ„āļąāļ

  • āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ—āļĩāđˆāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļāļąāļšāļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄ

āļĢāļđāļ›āđāļšāļšāļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄ

  • āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļ—āļĢāļ‡āļāļĨāļĄāđāļšāļšāļ”āļąāđ‰āļ‡āđ€āļ”āļīāļĄ

  • āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļ”āļĩāđ„āļ‹āļ™āđŒāļĄāļīāļ™āļīāļĄāļ­āļĨ

  • āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāđ‚āļ—āļ™āļ‚āļēāļ§-āļ„āļĢāļĩāļĄ-āđ€āļ­āļīāļĢāđŒāļ˜āđ‚āļ—āļ™

  • āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļĢāđˆāļ§āļĄāļāļąāļšāļ‚āļ­āļ‡āđƒāļŠāđ‰ (Hybrid Wreath)


āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄ: āļˆāļļāļ”āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļāļēāļĢāđ„āļ§āđ‰āļ­āļēāļĨāļąāļĒāļĒāļļāļ„āđƒāļŦāļĄāđˆ

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāļ„āļ·āļ­āļ­āļ°āđ„āļĢ?

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄ āļ„āļ·āļ­āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ—āļĩāđˆāđƒāļŠāđ‰ “āļžāļąāļ”āļĨāļĄāđ„āļŸāļŸāđ‰āļē” āđ€āļ›āđ‡āļ™āļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāļŦāļĨāļąāļ
āļ•āļāđāļ•āđˆāļ‡āļ­āļĒāđˆāļēāļ‡āļŠāļļāļ āļēāļž āļžāļĢāđ‰āļ­āļĄāļ›āđ‰āļēāļĒāđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļ­āļēāļĨāļąāļĒ

āļŦāļĨāļąāļ‡āđ€āļŠāļĢāđ‡āļˆāļžāļīāļ˜āļĩ āļžāļąāļ”āļĨāļĄāļˆāļ°āļ–āļđāļ

  • āļĄāļ­āļšāđƒāļŦāđ‰āļ§āļąāļ”

  • āļŠāđˆāļ‡āļ•āđˆāļ­āđƒāļŦāđ‰āđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™

  • āļšāļĢāļīāļˆāļēāļ„āđƒāļŦāđ‰āļœāļđāđ‰āļĒāļēāļāđ„āļĢāđ‰

  • āļŦāļĢāļ·āļ­āđƒāļŠāđ‰āđƒāļ™āļāļīāļˆāļāļĢāļĢāļĄāļŠāļēāļ˜āļēāļĢāļ“āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ

āļ—āļģāđ„āļĄāļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāļ–āļķāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāļŠāļđāļ‡

  1. āđ„āļ”āđ‰āđƒāļŠāđ‰āļ•āđˆāļ­āļˆāļĢāļīāļ‡
    āļžāļąāļ”āļĨāļĄāđ€āļ›āđ‡āļ™āļ‚āļ­āļ‡āļˆāļģāđ€āļ›āđ‡āļ™ āđƒāļŠāđ‰āļ‡āļēāļ™āđ„āļ”āđ‰āļĒāļēāļ§āļ™āļēāļ™āļŦāļĨāļēāļĒāļ›āļĩ

  2. āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļŠāļąāļ‡āļ„āļĄāļœāļđāđ‰āļŠāļđāļ‡āļ­āļēāļĒāļļ
    āļ§āļąāļ” āđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™ āđāļĨāļ°āļĻāļđāļ™āļĒāđŒāļŠāļļāļĄāļŠāļ™āļĄāļĩāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļžāļąāļ”āļĨāļĄāļŠāļđāļ‡

  3. āļĨāļ”āļ‚āļĒāļ°āļˆāļēāļāļžāļ§āļ‡āļŦāļĢāļĩāļ”
    āđ„āļĄāđˆāļĄāļĩāļ”āļ­āļāđ„āļĄāđ‰āđ€āļ™āđˆāļē āđ„āļĄāđˆāļĄāļĩāđ‚āļŸāļĄ āđ„āļĄāđˆāļĄāļĩāļ‚āļĒāļ°āļ­āļīāļ™āļ—āļĢāļĩāļĒāđŒāļˆāļģāļ™āļ§āļ™āļĄāļēāļ

  4. āļŠāļ°āļ—āđ‰āļ­āļ™āļ„āļ§āļēāļĄāļ•āļąāđ‰āļ‡āđƒāļˆāļ‚āļ­āļ‡āļœāļđāđ‰āļĄāļ­āļš
    āđāļŠāļ”āļ‡āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ§āđˆāļēāļ„āļ§āļēāļĄāļ­āļēāļĨāļąāļĒāđ„āļĄāđˆāđ„āļ”āđ‰āļˆāļšāļĨāļ‡āđāļ„āđˆāļžāļīāļ˜āļĩ

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāļāļąāļšāļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ­āļ‡āļ„āđŒāļāļĢ

āđƒāļ™āļ‡āļēāļ™āļĻāļžāļ—āļĩāđˆāļĄāļĩāđāļ‚āļāļˆāļēāļāļŦāļĨāļēāļĒāļ­āļ‡āļ„āđŒāļāļĢ
āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāļ–āļđāļāļĄāļ­āļ‡āļ§āđˆāļē

  • āļ—āļąāļ™āļŠāļĄāļąāļĒ

  • āļĄāļĩāļ„āļ§āļēāļĄāļĢāļąāļšāļœāļīāļ”āļŠāļ­āļšāļ•āđˆāļ­āļŠāļąāļ‡āļ„āļĄ (CSR)

  • āļŠāļĢāđ‰āļēāļ‡āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ—āļĩāđˆāļ”āļĩāđƒāļ™āļĢāļ°āļĒāļ°āļĒāļēāļ§

āđ€āļ›āļĢāļĩāļĒāļšāđ€āļ—āļĩāļĒāļšāļžāļ§āļ‡āļŦāļĢāļĩāļ”āđāļ•āđˆāļĨāļ°āļ›āļĢāļ°āđ€āļ āļ—āļ­āļĒāđˆāļēāļ‡āļĨāļ°āđ€āļ­āļĩāļĒāļ”

āļ‚āđ‰āļ­āļ”āļĩāļ”āđ‰āļēāļ™āļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄāļ‚āļ­āļ‡āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāđāļĨāļ°āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐ

āļĨāļ”āļāļēāļĢāđƒāļŠāđ‰āļ—āļĢāļąāļžāļĒāļēāļāļĢāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ”āļ­āļāđ„āļĄāđ‰āļŠāļ”āļ•āđ‰āļ­āļ‡āđƒāļŠāđ‰

  • āļ™āđ‰āļģāļˆāļģāļ™āļ§āļ™āļĄāļēāļ

  • āļžāļ·āđ‰āļ™āļ—āļĩāđˆāđ€āļžāļēāļ°āļ›āļĨāļđāļ

  • āļŠāļēāļĢāđ€āļ„āļĄāļĩ

  • āļāļēāļĢāļ‚āļ™āļŠāđˆāļ‡āļ—āļĩāđˆāļ›āļĨāđˆāļ­āļĒāļ„āļēāļĢāđŒāļšāļ­āļ™

āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆāļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāđāļĨāļ°āļāļĢāļ°āļ”āļēāļĐ

  • āđƒāļŠāđ‰āļ—āļĢāļąāļžāļĒāļēāļāļĢāļ‹āđ‰āļģ

  • āļĨāļ”āļāļēāļĢāļœāļĨāļīāļ•āđƒāļŦāļĄāđˆ

  • āļĨāļ”āļ‚āļ­āļ‡āđ€āļŠāļĩāļĒāļŦāļĨāļąāļ‡āļ‡āļēāļ™

āļŠāļ™āļąāļšāļŠāļ™āļļāļ™āđāļ™āļ§āļ„āļīāļ”āđ€āļĻāļĢāļĐāļāļāļīāļˆāļŦāļĄāļļāļ™āđ€āļ§āļĩāļĒāļ™ (Circular Economy)

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ‚āļ­āļ‡āđƒāļŠāđ‰āļ„āļ·āļ­āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆāļŠāļąāļ”āđ€āļˆāļ™āļ‚āļ­āļ‡
āļāļēāļĢāđƒāļŠāđ‰āļ—āļĢāļąāļžāļĒāļēāļāļĢāđƒāļŦāđ‰āđ€āļāļīāļ”āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŠāļđāļ‡āļŠāļļāļ”

āļ‚āļ­āļ‡āļŦāļ™āļķāđˆāļ‡āļŠāļīāđ‰āļ™

  • āđƒāļŠāđ‰āđƒāļ™āļžāļīāļ˜āļĩ

  • āđƒāļŠāđ‰āļ•āđˆāļ­āđƒāļ™āļŠāļąāļ‡āļ„āļĄ

  • āļĨāļ”āļāļēāļĢāļœāļĨāļīāļ•āļ‹āđ‰āļģāļ‹āđ‰āļ­āļ™


āļ„āļļāļ“āļ„āđˆāļēāļ—āļēāļ‡āđƒāļˆāļ—āļĩāđˆāļĄāļēāļāļāļ§āđˆāļēāļ„āļ§āļēāļĄāļŠāļ§āļĒāļ‡āļēāļĄ

āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ‚āļ­āļ‡āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļœāļđāđ‰āļĨāđˆāļ§āļ‡āļĨāļąāļš

āļŦāļĨāļēāļĒāļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļŠāļ°āļ—āđ‰āļ­āļ™āļ§āđˆāļē

  • āļĢāļđāđ‰āļŠāļķāļāļ”āļĩāļ—āļĩāđˆāļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ–āļđāļāļ™āļģāđ„āļ›āđƒāļŠāđ‰āļ•āđˆāļ­

  • āļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāļœāļđāđ‰āļĨāđˆāļ§āļ‡āļĨāļąāļšāđ„āļ”āđ‰ “āļ—āļģāļšāļļāļāļ•āđˆāļ­â€

  • āļĨāļ”āļ āļēāļĢāļ°āļāļēāļĢāļˆāļąāļ”āļāļēāļĢāļ‚āļĒāļ°āļŦāļĨāļąāļ‡āļ‡āļēāļ™

āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāđ€āļŠāļīāļ‡āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒ

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāđāļĨāļ°āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ‚āļ­āļ‡āđƒāļŠāđ‰ āļŠāļ·āđˆāļ­āļ–āļķāļ‡

  • āļ„āļ§āļēāļĄāđ€āļĄāļ•āļ•āļē

  • āļāļēāļĢāđāļšāđˆāļ‡āļ›āļąāļ™

  • āļ„āļ§āļēāļĄāđ„āļĄāđˆāļĒāļķāļ”āļ•āļīāļ”āļāļąāļšāļĢāļđāļ›āđāļšāļš

  • āļ‹āļķāđˆāļ‡āļŠāļ­āļ”āļ„āļĨāđ‰āļ­āļ‡āļāļąāļšāļŦāļĨāļąāļāļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļēāļ­āļĒāđˆāļēāļ‡āļĨāļķāļāļ‹āļķāđ‰āļ‡

āđ€āļ›āļĢāļĩāļĒāļšāđ€āļ—āļĩāļĒāļšāļžāļ§āļ‡āļŦāļĢāļĩāļ”āđāļ•āđˆāļĨāļ°āļ›āļĢāļ°āđ€āļ āļ—āļ­āļĒāđˆāļēāļ‡āļĨāļ°āđ€āļ­āļĩāļĒāļ”

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ”āļ­āļāđ„āļĄāđ‰āļŠāļ”

āđ€āļŦāļĄāļēāļ°āļāļąāļš

  • āļœāļđāđ‰āļ—āļĩāđˆāļĒāļķāļ”āļ–āļ·āļ­āļ‚āļ™āļšāļ˜āļĢāļĢāļĄāđ€āļ™āļĩāļĒāļĄ

  • āļ‡āļēāļ™āļžāļīāļ˜āļĩāđāļšāļšāļ”āļąāđ‰āļ‡āđ€āļ”āļīāļĄ

  • āļ•āđ‰āļ­āļ‡āļāļēāļĢāļ„āļ§āļēāļĄāļŠāļ§āļĒāļ‡āļēāļĄāđāļšāļšāļ„āļĨāļēāļŠāļŠāļīāļ

āļ‚āđ‰āļ­āļˆāļģāļāļąāļ”

  • āđƒāļŠāđ‰āļ‡āļēāļ™āļŠāļąāđ‰āļ™

  • āļŠāļĢāđ‰āļēāļ‡āļ‚āļĒāļ°

  • āđ„āļĄāđˆāļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļ„āļ§āļēāļĄāļĒāļąāđˆāļ‡āļĒāļ·āļ™

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ‚āļ­āļ‡āđƒāļŠāđ‰ / āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄ

āđ€āļŦāļĄāļēāļ°āļāļąāļš

  • āļ‡āļēāļ™āļĻāļžāļœāļđāđ‰āđƒāļŦāļāđˆ

  • āļ‡āļēāļ™āļ­āļ‡āļ„āđŒāļāļĢ

  • āļœāļđāđ‰āđƒāļŦāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ„āļļāļ“āļ„āđˆāļēāđ€āļŠāļīāļ‡āļŠāļąāļ‡āļ„āļĄ

āļ‚āđ‰āļ­āļ„āļ§āļĢāļĢāļ°āļ§āļąāļ‡

  • āļ•āđ‰āļ­āļ‡āļ­āļ­āļāđāļšāļšāđƒāļŦāđ‰āļŠāļļāļ āļēāļž

  • āđ€āļĨāļ·āļ­āļāļ‚āļ™āļēāļ”āđƒāļŦāđ‰āđ€āļŦāļĄāļēāļ°āļāļąāļšāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ§āļąāļ”

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļĢāļąāļāļĐāđŒāđ‚āļĨāļ

āđ€āļŦāļĄāļēāļ°āļāļąāļš

  • āļœāļđāđ‰āđƒāļŠāđˆāđƒāļˆāļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄ

  • āļ‡āļēāļ™āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāđ€āļĢāļĩāļĒāļšāļŦāļĢāļđ

  • āļ‡āļēāļ™āļ—āļĩāđˆāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļˆāļģāļāļąāļ”




āļ‚āđ‰āļ­āļ„āļ§āļĢāļĢāļđāđ‰āļāđˆāļ­āļ™āđ€āļĨāļ·āļ­āļāļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāđāļĨāļ°āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐ

1. āļ„āļ§āļēāļĄāđ€āļŦāļĄāļēāļ°āļŠāļĄāļ‚āļ­āļ‡āļ‡āļēāļ™

  • āļ‡āļēāļ™āļĻāļžāļœāļđāđ‰āđƒāļŦāļāđˆ → āđ€āļĨāļ·āļ­āļāļ”āļĩāđ„āļ‹āļ™āđŒāļŠāļļāļ āļēāļž āđ‚āļ—āļ™āđ€āļĢāļĩāļĒāļš

  • āļ‡āļēāļ™āļ­āļ‡āļ„āđŒāļāļĢ â†’ āļ„āļ§āļĢāđ€āļĨāļ·āļ­āļāđāļšāļšāļžāļĢāļĩāđ€āļĄāļĩāļĒāļĄ āļĄāļĩāļ›āđ‰āļēāļĒāļŠāļąāļ”āđ€āļˆāļ™

  • āļ‡āļēāļ™āļŠāđˆāļ§āļ™āļ•āļąāļ§ â†’ āđ€āļĨāļ·āļ­āļāđāļšāļšāļ—āļĩāđˆāļŠāļ°āļ—āđ‰āļ­āļ™āļ„āļ§āļēāļĄāļ•āļąāđ‰āļ‡āđƒāļˆ

2. āļ„āļ§āļēāļĄāļ™āđˆāļēāđ€āļŠāļ·āđˆāļ­āļ–āļ·āļ­āļ‚āļ­āļ‡āļœāļđāđ‰āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢ

āļ„āļ§āļĢāđ€āļĨāļ·āļ­āļāļœāļđāđ‰āļˆāļąāļ”āļ—āļģāļ—āļĩāđˆ

  • āđ€āļ‚āđ‰āļēāđƒāļˆāļžāļīāļ˜āļĩāļāļēāļĢ

  • āļŠāđˆāļ‡āļ•āļĢāļ‡āđ€āļ§āļĨāļē

  • āļĄāļĩāļ—āļĩāļĄāļ‡āļēāļ™āđƒāļŦāđ‰āļ„āļģāđāļ™āļ°āļ™āļģ

  • āđƒāļŠāđ‰āļ§āļąāļŠāļ”āļļāļ„āļļāļ“āļ āļēāļž

3. āļāļēāļĢāļˆāļąāļ”āļŠāđˆāļ‡āđāļĨāļ°āļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāļ•āđ‰āļ­āļ‡

  • āļ•āļīāļ”āļ•āļąāđ‰āļ‡āļĄāļąāđˆāļ™āļ„āļ‡

  • āđ„āļĄāđˆāđ€āļāļ°āļāļ°āļ—āļēāļ‡āđ€āļ”āļīāļ™

  • āļ›āļĨāļ­āļ”āļ āļąāļĒāđƒāļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ§āļąāļ”


āļ„āļģāļ–āļēāļĄāļ—āļĩāđˆāļžāļšāļšāđˆāļ­āļĒ (FAQ)

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāđ€āļŦāļĄāļēāļ°āļāļąāļšāļ‡āļēāļ™āļĻāļžāđāļšāļšāđ„āļŦāļ™āļ—āļĩāđˆāļŠāļļāļ”?
    āļ•āļ­āļš āđ€āļŦāļĄāļēāļ°āļāļąāļšāļ‡āļēāļ™āļĻāļžāļœāļđāđ‰āđƒāļŦāļāđˆ āļ‡āļēāļ™āļ—āļĩāđˆāļĄāļĩāđāļ‚āļāļˆāļģāļ™āļ§āļ™āļĄāļēāļ āđāļĨāļ°āļ‡āļēāļ™āļ­āļ‡āļ„āđŒāļāļĢ


āļ§āļąāļ”āļĢāļąāļšāļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄāļ—āļļāļāļ§āļąāļ”āļŦāļĢāļ·āļ­āđ„āļĄāđˆ?
   āļ•āļ­āļš   āļ§āļąāļ”āļŠāđˆāļ§āļ™āđƒāļŦāļāđˆāļĒāļīāļ™āļ”āļĩāļĢāļąāļš āđāļ•āđˆāļ„āļ§āļĢāļŠāļ­āļšāļ–āļēāļĄāļĨāđˆāļ§āļ‡āļŦāļ™āđ‰āļēāđƒāļ™āļšāļēāļ‡āļžāļ·āđ‰āļ™āļ—āļĩāđˆ


āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļ”āļđāđ„āļĄāđˆāļŠāļļāļ āļēāļžāļŦāļĢāļ·āļ­āđ„āļĄāđˆ?
    āļ•āļ­āļš āļŦāļēāļāļ­āļ­āļāđāļšāļšāļ­āļĒāđˆāļēāļ‡āđ€āļŦāļĄāļēāļ°āļŠāļĄ āļˆāļ°āļ”āļđāļŠāļļāļ āļēāļž āļžāļĢāļĩāđ€āļĄāļĩāļĒāļĄ āđāļĨāļ°āļāļĨāļĄāļāļĨāļ·āļ™āļāļąāļšāļžāļīāļ˜āļĩ

āļ­āđˆāļēāļ™   FAQ   āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ   jarniq



āļāļēāļĢāđ„āļ§āđ‰āļ­āļēāļĨāļąāļĒāļ—āļĩāđˆāļ”āļĩ āļ„āļ·āļ­āļāļēāļĢāđƒāļŦāđ‰āđ€āļāļĩāļĒāļĢāļ•āļīāļ—āļąāđ‰āļ‡āļ„āļ™āđāļĨāļ°āđ‚āļĨāļ

āđƒāļ™āļ§āļąāļ™āļ—āļĩāđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļŠāļđāļāđ€āļŠāļĩāļĒ
āļāļēāļĢāđ€āļĨāļ·āļ­āļāļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ—āļĩāđˆāļ”āļĩ āđ„āļĄāđˆāđ„āļ”āđ‰āļ§āļąāļ”āļˆāļēāļāļ„āļ§āļēāļĄāđƒāļŦāļāđˆāļŦāļĢāļ·āļ­āļĢāļēāļ„āļē
āđāļ•āđˆāļ§āļąāļ”āļˆāļēāāļ„āļ§āļēāļĄāļ•āļąāđ‰āļ‡āđƒāļˆ āļ„āļ§āļēāļĄāđ€āļŦāļĄāļēāļ°āļŠāļĄ āđāļĨāļ°āļ„āļļāļ“āļ„āđˆāļēāļ—āļĩāđˆāļŠāđˆāļ‡āļ•āđˆāļ­

āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄ āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ‚āļ­āļ‡āđƒāļŠāđ‰ āđāļĨāļ°āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļāļĢāļ°āļ”āļēāļĐāļĢāļąāļāļĐāđŒāđ‚āļĨāļ
āļ„āļ·āļ­āļ„āļģāļ•āļ­āļšāļ‚āļ­āļ‡āļāļēāļĢāđ„āļ§āđ‰āļ­āļēāļĨāļąāļĒāđƒāļ™āļĒāļļāļ„āđƒāļŦāļĄāđˆ
āļ—āļĩāđˆāđƒāļŦāđ‰āđ€āļāļĩāļĒāļĢāļ•āļīāļœāļđāđ‰āļĨāđˆāļ§āļ‡āļĨāļąāļš
āđƒāļŠāđˆāđƒāļˆāļ„āļĢāļ­āļšāļ„āļĢāļąāļ§
āđāļĨāļ°āļĢāļąāļšāļœāļīāļ”āļŠāļ­āļšāļ•āđˆāļ­āļŠāļąāļ‡āļ„āļĄ



JARNIQ  āļˆāļąāļ”āļ—āļģāļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļĢāļĩāđ€āļĄāļĩāļĒāļĄ
āļ—āļąāđ‰āļ‡āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ”āļ­āļāđ„āļĄāđ‰āļŠāļ” āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļžāļąāļ”āļĨāļĄ āđāļĨāļ°āļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ‚āļ­āļ‡āđƒāļŠāđ‰
āļ­āļ­āļāđāļšāļšāļ­āļĒāđˆāļēāļ‡āļŠāļļāļ āļēāļž āđ€āļŦāļĄāļēāļ°āļŠāļĄāļāļąāļšāļ—āļļāļāļžāļīāļ˜āļĩ

✔ āļ„āļąāļ”āđ€āļĨāļ·āļ­āļāļ§āļąāļŠāļ”āļļāļ„āļļāļ“āļ āļēāļž
✔ āļ­āļ­āļāđāļšāļšāđ‚āļ”āļĒāļ„āļģāļ™āļķāļ‡āļ–āļķāļ‡āļžāļīāļ˜āļĩāļāļēāļĢ
✔ āļšāļĢāļīāļāļēāļĢāļˆāļąāļ”āļŠāđˆāļ‡āļ•āļĢāļ‡āļ–āļķāļ‡āļ§āļąāļ”
✔ āđƒāļŦāđ‰āļ„āļģāļ›āļĢāļķāļāļĐāļēāđ‚āļ”āļĒāļ—āļĩāļĄāļ‡āļēāļ™āļĄāļ·āļ­āļ­āļēāļŠāļĩāļž

? āļ•āļīāļ”āļ•āđˆāļ­ JARNIQ āļ§āļąāļ™āļ™āļĩāđ‰
āđ€āļžāļ·āđˆāļ­āđ€āļĨāļ·āļ­āļāļžāļ§āļ‡āļŦāļĢāļĩāļ”āļ—āļĩāđˆ “āļŠāļ§āļĒ āļĄāļĩāļ„āļļāļ“āļ„āđˆāļē āđāļĨāļ°āļ™āđˆāļēāļˆāļ”āļˆāļģ”





Fan Wreaths & Eco-Friendly Paper Wreaths

A New, Respectful Choice That Truly Serves a Purpose

Why Fan Wreaths Have Become the Preferred Alternative

Replacing traditional fresh flower wreaths with meaningful options that benefit
the departed, the mourners, and society as a whole


When Mourning Goes Beyond the Ceremony — and Becomes Meaningful

A funeral is a moment filled with sorrow, remembrance, and deep respect.
A wreath is therefore not merely a ceremonial decoration, but a symbol of heartfelt emotions conveyed by the giver to the deceased and their family.

In recent years, however, society has begun to reflect more deeply on the tradition of funeral wreaths and ask important questions:

  • Is the extensive use of fresh flower wreaths still appropriate today?

  • Should the resources consumed for a brief ceremony create lasting value?

  • Can expressions of condolence evolve alongside social and environmental responsibility?

These questions have led to the growing popularity of fan wreaths, utility wreaths, and eco-friendly paper wreaths—modern alternatives that offer dignity, practicality, and sustainability.

This article provides an in-depth exploration of their cultural foundations, underlying concepts, advantages, limitations, and how to choose a wreath that is appropriate, respectful, and truly meaningful.


What Is an Eco-Friendly Paper Wreath?

Meaning and Concept

An Eco-Friendly Paper Wreath is a funeral wreath crafted primarily from paper-based materials, with a strong emphasis on sustainability, such as:

  • 100% recycled paper

  • Kraft paper

  • Naturally biodegradable paper pulp

The core philosophy is simple yet profound:

“To express condolences respectfully without creating environmental burden.”

Unlike fresh flower wreaths that must be discarded after only a few days, paper wreaths can be:

  • Recycled

  • Reused for temple or community activities

  • Naturally decomposed without harmful waste


The Evolution of Paper Wreaths in Thai Society

Initially, paper wreaths were often perceived as:

  • Too informal

  • Unsuitable for senior or traditional funerals

  • Less beautiful than floral wreaths

However, advancements in:

  • Design aesthetics

  • Printing technology

  • Structural composition

have transformed paper wreaths into elegant, refined, and ceremony-appropriate pieces.

Today, they are widely accepted—particularly at funerals of:

  • Executives and professionals

  • Corporate or institutional representatives

  • Distinguished individuals

  • Families who value environmental responsibility


Popular Styles of Eco-Friendly Paper Wreaths

  • Traditional circular paper wreaths

  • Minimalist contemporary designs

  • Neutral tones such as white, cream, and earth shades

  • Hybrid wreaths combining paper elements with practical items


Fan Wreaths: A Turning Point in Modern Mourning Practices

What Is a Fan Wreath?

A Fan Wreath is a condolence wreath that features an electric fan as its central element, tastefully decorated and accompanied by a condolence message.

After the funeral, the fan is typically:

  • Donated to the temple

  • Given to schools or community centers

  • Donated to underprivileged individuals

  • Used in public benefit activities


Why Fan Wreaths Are Increasingly Popular

1. Practical and Long-Lasting Use
A fan is a daily necessity that can be used for many years.

2. Ideal for an Aging Society
Temples, schools, and community spaces consistently need fans for ventilation and comfort.

3. Significant Waste Reduction
No wilting flowers, no foam bases, and no organic waste accumulation.

4. A Clear Expression of Genuine Intent
Fan wreaths show that condolences extend beyond the ceremony itself.


Fan Wreaths and Corporate Image

At funerals attended by multiple organizations, fan wreaths are often perceived as:

  • Modern and thoughtful

  • Socially responsible (CSR-aligned)

  • Enhancing long-term brand reputation


Environmental Benefits of Fan Wreaths and Paper Wreaths

Reduced Natural Resource Consumption

Fresh flower wreaths require:

  • Large quantities of water

  • Agricultural land

  • Chemical fertilizers and pesticides

  • Carbon-intensive transportation

In contrast, fan and paper wreaths:

  • Promote reuse

  • Reduce new production demand

  • Minimize post-ceremony waste


Supporting the Circular Economy

Utility wreaths exemplify maximum resource efficiency:

  • Used during the ceremony

  • Continued use within the community

  • Reduced need for repeated manufacturing


Emotional Value Beyond Aesthetics

Feelings of the Bereaved Family

Many families express that they:

  • Feel comforted knowing the wreath is reused

  • Believe the deceased continues to “make merit” through donation

  • Appreciate the reduced burden of post-funeral waste management


Symbolic Meaning

Fan and utility wreaths represent:

  • Compassion

  • Generosity

  • Non-attachment to form

These values align deeply with Buddhist teachings and the philosophy of mindful living.


Detailed Comparison of Wreath Types

Fresh Flower Wreaths

Best suited for:

  • Traditional customs

  • Formal ceremonial preferences

  • Those who value classic floral beauty

Limitations:

  • Very short lifespan

  • Generates large amounts of waste

  • Limited sustainability value


Utility Wreaths / Fan Wreaths

Best suited for:

  • Senior or formal funerals

  • Corporate or institutional offerings

  • Givers seeking social impact

Considerations:

  • Design must remain dignified

  • Size should suit the temple space


Eco-Friendly Paper Wreaths

Best suited for:

  • Environmentally conscious individuals

  • Ceremonies requiring refined simplicity

  • Venues with limited space


What to Consider Before Choosing a Fan or Paper Wreath

1. Suitability for the Ceremony

  • Senior funerals → Elegant, understated design

  • Corporate offerings → Premium style with clear signage

  • Personal condolences → Reflect sincere intention


2. Credibility of the Provider

Choose a provider who:

  • Understands funeral protocol

  • Delivers punctually

  • Offers professional consultation

  • Uses high-quality materials


3. Delivery and Installation

Fan wreaths must be:

  • Securely installed

  • Non-obstructive to walkways

  • Safe within temple premises


Frequently Asked Questions (FAQ)

Q: What types of funerals are fan wreaths most suitable for?
A: Senior funerals, large ceremonies, and corporate services.

Q: Do all temples accept fan wreaths?
A: Most temples welcome them, though it is advisable to confirm in advance.

Q: Do paper wreaths appear inappropriate or informal?
A: When thoughtfully designed, they appear elegant, premium, and fully appropriate.

? Read more FAQs at JARNIQ


A Thoughtful Farewell Honors Both People and the World

In moments of loss, the value of a wreath is not measured by its size or price—but by intention, appropriateness, and the lasting good it creates.

Fan wreaths, utility wreaths, and eco-friendly paper wreaths represent a modern approach to condolence—one that honors the departed, supports the family, and respects society and the environment.


JARNIQ — Premium Funeral Wreaths with Meaning

JARNIQ offers premium funeral wreaths, including:

  • Fresh flower wreaths

  • Fan wreaths

  • Utility and eco-friendly wreaths

Each piece is thoughtfully designed to respect ceremony traditions while delivering lasting value.

✔ Carefully selected quality materials
✔ Design guided by funeral etiquette
✔ Direct delivery to temples
✔ Professional consultation and support

? Contact JARNIQ today
to choose a wreath that is beautiful, meaningful, and truly memorable




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